Adebisi Shank – This Is The Second Album By A Band Called Adebisi Shank (Richter Collective, 2010)

Nick: It’s a very strange effect in a way, if you think about it.
Because if you compare it with other music from now, it seems quite advanced. But on the other hand it’s very old-fashioned – it sounds industrial, like a clinking klonking factory, we don’t have them anymore, this is the digital age. But this is filling plants, bottling plants, machinery working. This is Charlie Chaplin.

It’s intriguing and interesting but not pleasant to listen to.

Is this what they call Math Rock?

Uhhhhhm…

Because it is mathematical, constructed rather than composed.

I guess it could fit into Math Rock but it’s more…..loose?

I wouldn’t buy it, certainly not.

Because of its industrial, heavy sound it also, to me, comes across as German. No, not German, Germanic. It’s… uhh.. hobnail boots music. Know what I mean? Hobnail boots?

Someone said to me the other day, well these aren’t the exact words, but it was something like: because they know the guys are Irish they can only… ehh.. respect the music, I guess, but if they had been told they were Japanese they’d think it was the most amazing thing ever. What do you think about that?

Well that’s a very skewed way to look at music – you have to separate. Japanese, Chinese, Irish who cares?
Actually if it came from central Papua New Guinea I probably would think it’s the most amazing thing ever.

{Track 4: (-_-)}

This is very clever.

It’s certainly pretty unique – I wouldn’t know of anything that sounds remotely like it. This part {Outro to ‘Logdrum’}, you could say there are Debussy and Ravel influences, there probably aren’t but that’s what I hear.

In this later part the heavy industrial thing disappears. It’s very much processes.

It is processes?

Yeah. If you walk in to a room and you hear this you expect to see something, something to go with it, a documentary maybe, so this is processes music. Like what I said above, it’s still industrial in that way. Don’t know if I’m expressing this well.

It sort of grows on you – there are some nice bits, but I guess it’s just kind of unsympathetic.

That old ‘nickism’.

Haha, yeah.

It’s unique, sometimes nice, industrial, Germanic and unsympathetic music.

I wish I could put into the words the shivers and rushes that flew through my body the first time I heard opening track ‘International Dreambeat’, they’re still there, every time it plays. And the best thing is, it never dips from then on.

http://adebisishank.bandcamp.com/

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